上海人民美術出版社《藝術設計名家特色精品課程》系列叢書


叢書名: 藝術設計名家特色精品課程
作者: 夏燕靖
頁數: 324
出版日期: 2016.06
定價: 48元
書號: 978-7-5322-9726-9

內容簡介
本書按照朝代演變的歷史邏輯,系統地闡述從原始社會直至現當代中國設計發展的特點與成就,透析各時代中國設計的創造力與生產力。本書突出對歷史脈絡、術語概念、知識重點及史料背景的闡述,各章節的知識鏈接和同步習題更以教學和輔導相結合的方式,滿足讀者“可讀可學”的學習需求,在教學中具有較強的實用性,有助于學生逐步達到“以史為鑒,明正現實”的學習目標。中國設計自古有之、連綿不斷,始終有著自身的原發力和繼發力。中國藝術設計史是高等院校藝術設計學專業方向的必修課程。

作者簡介
夏燕靖,男,漢族,1960 年1 月生,浙江省臨海市人。藝術學博士,南京藝術學院研究院和設計學院教授、博士生導師,南京藝術學院藝術學理論學科和設計學科博士后科研流動站合作導師。主要學術職務有:國務院學位委員會第七屆藝術學理論學科評議組成員、全國藝術學學會常務理事、中國文藝評論家協會理論委員會委員、中國工藝美術學會理論委員會委員、江蘇省美學學會理事、江蘇省紡織流行色協會常務理事、南京藝術學院學術委員會委員、南京藝術學院《藝術學研究》叢刊執行主編。主要研究方向:藝術史與藝術史學研究、藝術教育研究。

目錄
一、原始社會的設計緣起·································1
1.設計起源與石器制作··································5
2.陶器制作與器形設計·································11
3.紡編織物的產生與設計形式···························16
4. 原始居住設計的雛形··································18
5. 原始農業生產器具設計································19
二、夏商西周時期的設計規制·····························21
1. 青銅鼎器與禮制性設計································22
2. 原始陶瓷器的形成與實用設計··························34
3. 交通運輸工具的設計規范······························35
4. 建筑設計與城建布局··································37
5. 絲紡織物與服飾藝術設計······························39
三、春秋戰國時期的設計自覺····························42
1. 早期工藝技術與器具設計······························43
2. 設計與生活··········································51
3. 設計與征戰··········································60
4. 設計思想的初步形成··································61
四、秦漢時期的設計發展································71
1. 鐵制工具的廣泛使用··································72
2. 冶銅業與銅器設計····································73
3. 絲織、印染與服飾設計································77
4. 陶瓷設計日臻完善····································81
5. 漆器業的興盛與漆藝設計······························82
6. 車船設計水平的提高··································84
7. 建筑設計與木作業····································86
8. 工具的使用與設計····································89
9. 秦漢時期文獻典籍中的設計理論························91
五、魏晉南北朝時期的設計變遷··························94
1. 瓷器時代的出現與陶瓷器設計··························94
2. 漆工藝的發展與特色漆器品種··························98
3. 織印染與服裝業的恢復及形成的設計特色················99
4. 金屬工藝與紋飾設計·································105
5. 車船制造及木作業設計·······························106
6. 建筑與雕刻工藝設計·································110
7. 設計思想的多樣性···································112
六、隋唐五代時期的設計繁榮···························114
1. 手工業的興盛與設計水平的提升·······················115
2. 陶瓷工藝與陶瓷設計的發展···························118
3. 紡織及印染業的進步與品種的豐富多彩·················123
4. 服裝工藝與服飾設計的特色形成·······················125
5. 金屬工藝設計的成熟·································130
6. 造船與家具制造業的發展與設計特色···················134
7. 建筑設計的成熟與繁榮·······························137
8. 五代十國時期的設計特征·····························141
9. 唐代設計理論述要···································143
七、宋遼金西夏時期的設計紛繁··························147
1. 手工業的發展與對外貿易的形成·······················148
2. 宋瓷的生產規模與設計成就···························150
3. 宋代絲織、染纈工藝的發展···························156
4. 宋代服飾與藝術設計風格·····························159
5. 雕版印刷與商業美術設計·····························161
6. 金屬制器與工藝設計·································163
7. 宋代建筑及家具設計·································165
8. 遼和金時期的設計繼承與特色·························167
9. 西夏時期的設計成就·································172
八、元代的設計交融····································176
1. 瓷器工藝與設計·····································177
2. 染織工藝及其品種設計·······························181
3. 服飾工藝與服飾設計·································185
4. 金屬工藝及品種設計特色·····························188
5. 農業器具與天文器具的設計記載·······················190
6. 建筑與裝飾紋樣設計·································194
7. 印刷、家具與商業美術·······························197
九、明清時期的設計漸變································202
1. 紡織印染業的高度繁榮與染織品種設計·················203
2. 服裝工藝與服裝設計·································208
3. 陶瓷業的繁榮與品種發展·····························213
4. 明清貿易瓷的歷史演變與特色·························218
5. 建筑設計與建筑彩畫藝術·····························222
6. 家具種類與工藝設計·································227
7. 車船種類與造船業···································230
8. 印刷工藝與印刷設計·································231
9. 豐富多彩的設計理論·································233
十、近現代史上的設計更新······························236
1. 伴隨近代手工業和對外貿易發展起來的藝術設計·········237
2. 紡織印染業的發展與新興花色品種·····················242
3. 服飾設計水平的提高·································245
4. 新興產業的出現與藝術設計的新發展···················248
5. 建筑藝術的變遷與建筑裝飾的興起·····················256
十一、新中國時期的設計進步····························261
1. 恢復時期和社會主義改造時期的工藝美術···············261
2. 全面建設社會主義時期的工藝美術·····················270
3. 社會主義建設時期的工業產品設計·····················273
4. 文革時期的工藝美術·································275
5. 新時期的工藝美術及面向21世紀的藝術設計事業········279
附 錄·················································287
我國歷史年代公元對照表································287
當代中國工藝美術、藝術設計大事年表(1949—2000)·······289
中國古典設計文獻索引··································301
參考書目··············································311
后 記·················································313